MIDAS 迈达斯 DL16 舞台接口箱到货
DL16
MIDAS DL16 数字舞台接口箱用于舞台以及舞台正前方的区域。配置有 16 个可编组输入和远程控制的 MIDAS 经典话放，8 个模拟平衡 XLR 输出。通过一条 CAT5 屏
蔽线(STP)，可实现三台 DL16 接口箱连接网络或 1 台 MIDAS DL150 接口箱，为舞台提供 48 个输入通道和 24 个输出通道。双 AES50 端口让 M32 允许多达 96 个输入通
道通过路由器连接在在同一个系统中。
主要特点
? ? AES50 采用 KLARK TENKNIK Super MAC 超低延迟技术
? CAT5 电缆的传输距离可达 100m
? 双 AES50 端口，每个可级联三个 DL16——不需要交换机或路由器
? 可控制计量的 7 格电平信号指示灯
? 所有的输入输出信号都能够通过耳机接口进行监听
? 能与 P16-M 个人监听系统连接
? 应用于多种是用模式的双 ADAT 输出接口16 award-winning MIDAS PRO microphone preamplifiers
The MIDAS mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium grade components lead to the acclaimed warmth and depth, bring out subtle ambience, maintain spatial positioning, and more effectively capture a precise image. The acclaimed sound of the award winning MIDAS PRO microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. The DL16 features the very same preamp found in the highly-acclaimed PRO Series consoles.
Eight electronically balanced low impedance line level outputs
All of the DL16’s inputs and outputs have been designed by our expert MIDAS engineers to handle both balanced and unbalanced signals, removing any worries about signal degradation, noise and crosstalk interference. The DL16 also features dual Cirrus Logic* Digital to Analogue converters, providing a reduced noise floor and lower distortion, and post-DAC filtering to remove wide-band noise.
ULTRANET personal monitoring system connectivity for in-ear applications
The ULTRANET port on the DL16 lets you connect directly to the POWERPLAY P16 system, which lets each performer take control of their own monitor mix. This allows you to concentrate on what's most important; giving your full attention to the matter at hand and treating the audience to a flawless sonic experience without missing a beat.
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
Many manufacturers have adopted the ADAT digital interface as a means of transferring digital data between certain types of audio devices, such as mixers, synthesizers, lighting rigs and effect processors. With the DL16’s dual ADAT outputs, you can simply connect to any ADAT-compatible outboard devices.
Dual AES50 ports for cascading DL16 units—no merger or router required
Connecting over a single shielded (STP) CAT5 cable, up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure.
Remote operation up to 100 m via CAT5/5e cable
Communicating between the stage and Front of House was never easier. The DL16’s ingenious monitoring / head amp control section allows you to select any one of the 16 inputs or eight bus outputs for immediate line checks. In addition to signal metering at the stage box, you can set individual channel gain, apply +48 V phantom power, plus you have the option listening directly to the input signal.
All settings programmable from front panel controls or console
The DL16 can be controlled either from the front panel, or via the console, with up to 100 m networking capability via a single CAT5 cable. Once set, all configuration settings can be locked at the console for total system security.
Status indicator LEDs on front panel